Part I – Production Delivery

Script DELIVER

• Final shooting script – PDF file
• Final shooting script – Final Draft file

Daily Production Deliver

• Call Sheet & Maps
• Setup Schedule
• Safety Meeting Report
• Meal Sign-In Sheet
• Performers Time Report
• Camera Reports
• Sound Reports (from Sound Device)
• Script Supervisor Reports (from ScriptE)
  • Clip Bin File – Avid
  • Facing Pages and Lined Script
  • Progress Report
• Daily Production Report

Locations

LOCATION INFO & RELEASES DELIVER

• Location information
• Location Photos
• Location Agreement
• Location Shooting Plans
• Location Hazard Assessment Checklist

LOCATION LIST DELIVER

• After all location information has been delivered for the show, navigate to the “My Shows” view of the Location board in FSUFILM Greenlight, select all the items for the show, and click Export. Then, deliver the exported Excel file of the Location List. (instructions)

Cast

CAST INFO & RELEASES DELIVER

• Cast information
• Performance Agreements
• Minor Labor Policy Agreements (if applicable)
• SAG contract (if applicable)

CAST LIST DELIVER

• After all cast information has been delivered for the show, navigate to the “My Shows” view of the Cast board in FSUFILM Greenlight, select all the items for the show, and click Export. Then, deliver the exported Excel file of the Cast List. (instructions)

Crew

ASSIGNED CREW DELIVER

• Crew Deal Memos

ADDITIONAL CREW DELIVER

• Crew Information
• Crew Deal Memos

Resources DELIVER

• Submit a separate form for each notable resource that was utilized by the production. This may include equipment rentals, unusual vehicles, unique props, distinctive costumes, or hired services offered by vendors such as animal wranglers, graphic designers, security firms, or portable toilet providers. Think of things that might help future students track down resources for their films.

Additional Releases DELIVER

• Deliver any additional releases needed for the production, which may include: Animal Use Protocol, Image Release, Life Story Rights, Picture Vehicle Agreements, Refusal of Medical Aid, Trademark Use Agreement, Weapon Authorization, or Work For Hire Agreement.

Correspondence DELIVER

• Include PDFs of all noteworthy correspondence about the production. This doesn’t need to include run-of-the-mill messages between cast and crew, but should include any documented messages with people like location owners, vendors, the Animal Care and Use Committee, and the police. Think of it as “cover your ass” correspondence—so that, when the other party forgets what they had agreed to, there’s a record of what was discussed.
• At minimum, the delivery should include a letter of thanks to each location owner.

Part II – Post-Production Delivery

Show Details Deliver

• Complete a form to deliver the following information about the show: total running time, tagline, logline, 25-word synopsis, 50-word synopsis, keywords, genre, content warnings, rating, aspect ratio, spoken languages, and subtitles.

Dialogue List Deliver

• Create a PDF using the Dialogue List form. Include all spoken dialogue and written text in the final film. This is to assist subtitling in foreign-language markets.

Music Requirements

MUSIC CUES & RELEASES Deliver

• Enter a separate form for each piece of music used in the film, listing the timecode stamps and documenting the music rights.
• If there are no music cues, use this form instead.

MUSIC LIST Deliver

• After all music cues and releases have been delivered for the show, navigate to the “My Shows” view of the Music board in FSUFILM Greenlight, select all the items for the show, and click Export. Then, deliver the exported Excel file of the Music List.
• If there are no music cues, skip this step.

Production Stills Deliver

• Five (5) production stills from the final cut of the film (not on-set photos).

Credits & Title Cards Deliver

• A list of all credits and title cards as they appear on screen. This should be a typed list—not screenshots of the credits from the film. Double-check for accuracy!

Student ID Cards Deliver

• A good, clear scanned copy of the Director’s student ID card
• A good, clear scanned copy of the Producer’s student ID card