FC

Refusal of Medical Aid

Production Paperwork

Instructions

If a person is injured or experiences a medical emergency during the workday, the standard procedure to prioritize getting the person medical attention. There are circumstances, however, where an individual may choose to not get medical aid.

This purpose of this form is to document such instances where an individual refuses first aid or medical treatment for injury or illness. By signing the waiver, an individual releases the production and its personnel from any liability resulting from the refusal of medical aid.

Production Travel Agreement

Production Paperwork

Instructions

This agreement is for production travel expenses to be paid for by the traveler and then reimbursed. The Producer of the production should assist the traveler with the completion of the form and ensure it is submitted to the Head of Production (or a designated delegate) at least seven days prior to the first day of travel.

Reimbursed travel expenses will be made in the form of a check issued by Florida State University. The check will be mailed directly to the payee within 15 days of all receipts being submitted to the Head of Production (or a designated delegate).

Sample

Picture Vehicle Agreement

Production Paperwork

Instructions

The Producer should use this contract agreement with the Owner of a vehicle that will be used as a picture vehicle in a production.

The Producer is responsible for working with the Owner to determine the dates the vehicle will be used.

All other clauses in the agreement must remain unchanged, unless the Producer is authorized in advance by the Head of Production to make specific amendments to the contract.

Performance Agreement

Production Paperwork

Instructions

The Producer should use this contract agreement with a Performer, in order to have the right to record their voice and likeness for the film.

The Producer is responsible for working with Performer to determine the screen credit in the finished film.

All other clauses in the agreement must remain unchanged, unless the Producer is authorized in advance by the Head of Production to make specific amendments to the contract.

Music Release

Production Paperwork

Instructions

The Producer should use this contract agreement with the Owner (or authorized agent) of a musical composition that will be used in the film.

The Producer is responsible for working with the Owner to determine the screen credit in the finished film. All other clauses in the agreement must remain unchanged, unless the Producer is authorized in advance by the Head of Production to make specific amendments to the contract.

Note: F1 and M1 projects are not permitted license music in this manner. Those project must use the Universal Production Music library for any music needs.

Music Cue Sheet

Production Paperwork

INSTRUCTIONS

The Music Cue sheet lists each song that is used in the final cut of the film.

#Sequential numbering of each song used
TC Start The timecode of when the song starts
TC EndThe timecode of when the song ends
Cue TitleThe name of the song
UsageHow the song is used:
  • MT = Main Title
  • ET = End Title
  • BI = Background Instrumental
  • BV = Background Vocal
  • VI = Visual Instrumental
  • VV = Visual Vocal
LicensorInclude an abbreviation for the type of licensor and the name of the licensor:
  • C = Composer
  • P = Publisher
  • R = Record Label
Society (%)If applicable, the music rights society that manages the rights to the song and the percentage of their stake in the song. In the U.S., there are 2 main music rights societies: ASCAP & BMI.
  • If working with a composer, you should ask them whether they are a member of a music rights society.
  • If licensing a song from a publisher and/or record label, they will let you know whether the rights are managed by a music rights society.
  • If using our license with Universal Production Music (Killer Tracks), then you can enter “N/A”.
Rights AcquiredIndicate what rights you have acquired for the song:
  • If working with a composer who has signed our Composer Contract, then it would be “All Rights, Perpetuity”.
  • If licensing a song from a publisher and/or record label, then it would be whatever rights were agreed upon (Note: CMPA requires you get at least a 2 year, Film Festival, World, Non-Commercial license)
  • If using a song that is in the creative commons, then include the type of creative commons license.
  • If using a song from our Universal Production Music library, then it would be “Film Festival, Perpetuity, World, Non-Commercial”.

SAMPLE