Category: F2

  • Refusal of Medical Aid

    Refusal of Medical Aid

    Overview

    The Refusal of Medical Aid form documents situations in which an individual involved in a production declines medical assistance after an incident, injury, or safety-related event occurring during production activity.

    Proper documentation of medical incidents is important because productions have a responsibility to maintain clear records related to on-set safety, injuries, and incident response. Recording a refusal of medical aid helps establish accurate documentation of the situation while reinforcing the importance of communication, accountability, and safety procedures within production environments.

    Instructions

    If a person is injured or experiences a medical emergency during the workday, the standard procedure to prioritize getting the person medical attention. There are circumstances, however, where an individual may choose to not get medical aid.

    This form should only be used after an injury, illness, or medical incident in which an individual declines first aid, medical treatment, or transport after assistance has been offered. The form exists to document that the individual voluntarily refused care and understood the risks associated with that decision.

    The form should be completed as soon as possible following the incident. Producers or set safety personnel should ensure that all sections are filled out clearly and accurately, including:

    • the date and location of the incident;
    • the nature of the illness or injury;
    • the medical aid or treatment that was offered;
    • the reason the individual declined assistance, if provided.

    The injured or ill individual should personally complete and sign the form whenever feasible. A witness should also sign the form.

    Signing the form documents that care was declined at the time of the incident and that the individual has released the production from any liability resulting from the refusal of medical aid. Signing the form does not prevent the individual from later seeking medical care.

    This form should be retained with the production’s safety paperwork and incident documentation. If the situation appears serious or life-threatening, students should immediately contact emergency services and notify faculty, even if the individual initially refuses assistance.

  • Production Travel Agreement

    Production Travel Agreement

    Overview

    The production travel agreement outlines the expectations, approval procedures, and reimbursement policies associated with travel conducted for production-related purposes. This is used when travelers are expected to pay for eligible travel expenses upfront and then submit the appropriate documentation for reimbursement afterward.

    Because production travel involves university funding, liability, scheduling, and financial oversight considerations, expenses must be documented carefully and follow established procedures. The agreement helps ensure that travel is approved in advance, expenses remain compliant with university policies, and reimbursement requests can be processed accurately and efficiently.

    Instructions

    This agreement is for production travel expenses to be paid for by the traveler and then reimbursed. The Producer of the production should assist the traveler with the completion of the form and ensure it is submitted to the Head of Production (or a designated delegate) at least seven days prior to the first day of travel.

    Reimbursed travel expenses will be made in the form of a check issued by Florida State University. The check will be mailed directly to the payee within 15 days of all receipts being submitted to the Head of Production (or a designated delegate).

    Sample

    Here’s a sample of what the completed form should look like:

    Sample of a completed form (page one)
    Sample of a completed form (page two)
  • Picture Vehicle Agreement

    Picture Vehicle Agreement

    Overview

    A picture vehicle agreement documents permission and terms related to the use of a privately owned or externally provided vehicle appearing within a production as an on-camera element.

    Because vehicles used on camera can involve liability, insurance, scheduling, and property-use considerations, productions must clearly document the terms under which the vehicle is being used. Proper agreements help protect both the production and the vehicle owner while reinforcing professional practices related to permissions, risk management, and production documentation.

    Instructions

    The Producer should use this contract agreement with the Owner of a vehicle that will be used as a picture vehicle in a production.

    The Producer is responsible for working with the Owner to determine the dates the vehicle will be used.

    All other clauses in the agreement must remain unchanged, unless the Producer is authorized in advance by the Head of Production to make specific amendments to the contract.

  • Disbursement Advance Request

    Disbursement Advance Request

    Overview

    A disbursement advance request is used when productions seek access to approved funds in advance of anticipated production expenses, purchases, or operational needs.

    Advance funding requests require careful oversight because productions must be able to document how institutional or production funds are being used and tracked throughout the production process. Establishing clear advance procedures helps maintain financial accountability, reduce confusion surrounding expenditures, and support more organized production budgeting workflows.

    Instructions

    This form should be used in instances where a student is issued a disbursement advance for production-related expenses on a production. Advances will be issued to the student’s pre-paid Visa card.

    Students are required to submit itemized receipts for all expenses and to return any unused monies.

  • Performance Agreement

    Performance Agreement

    Overview

    A performance agreement establishes the terms under which an actor or performer participates in a production, including permissions related to recording, usage of the performance, and the production’s right to exhibit and distribute the completed project.

    Clear performer agreements are essential because productions must secure documented permission to use recorded performances within films intended for exhibition, festivals, online distribution, or archival purposes. Proper agreements help protect both the production and the performer while reinforcing professional standards related to contracts, releases, and production legal workflows.

    Instructions

    The Producer should use this contract agreement with a Performer, in order to have the right to record their voice and likeness for the film.

    The Producer is responsible for working with Performer to determine the screen credit in the finished film.

    All other clauses in the agreement must remain unchanged, unless the Producer is authorized in advance by the Head of Production to make specific amendments to the contract.

  • Music Release

    Music Release

    Overview

    A music release grants permission for a production to use a specific piece of copyrighted music within a film or media project, defining the conditions and restrictions of use and the credit to appear on screen.

    Proper music documentation is important because productions must be able to verify that all music included in the film has been legally authorized for use and distribution. Maintaining clear release records helps reduce legal and distribution complications while reinforcing professional practices related to copyright, licensing, and music clearance within film production workflows.

    Instructions

    The Producer should use this contract agreement with the Owner (or authorized agent) of a musical composition that will be used in the film.

    The Producer is responsible for working with the Owner to determine the screen credit in the finished film. All other clauses in the agreement must remain unchanged, unless the Producer is authorized in advance by the Head of Production to make specific amendments to the contract.

    Note: F1 and M1 projects are not permitted license music in this manner. Those project must use the Universal Production Music library for any music needs.

  • Minor Labor Policy Exemption Request

    Minor Labor Policy Exemption Request

    Overview

    Productions seeking to work with minors must use this request process when asking for an exemption from the standard minor labor policy. The request allows the production to explain why the exemption is needed, secure consent from a parent or legal guardian, and provide the information necessary for review before the minor participates in production activity.

    This process exists to protect minors from unsafe, excessive, or inappropriate working conditions while ensuring that productions comply with school and university expectations. Because working with children carries additional safety, scheduling, supervision, and legal responsibilities, exemptions must be reviewed carefully rather than assumed.

    Instructions

    The Minor Labor policy is intended to safeguard children from being employed under conditions that are injurious or detrimental to their health, safety or education.

    The Producer of a show is required to work with the parent (or legal guardian) to complete a Minor Labor Policy Agreement, which outlines the conditions of employment. On occasion, however, there can be instances where an aspect of this agreement may be waived or modified, and the Producer may submit this exemption request to the Head of Production. All exemptions must have the consent of the parent or legal guardian, and final approval of requests lies solely with the Head of Production.

  • Minor Labor Policy Agreement

    Minor Labor Policy Agreement

    Overview

    The Minor Labor Policy Agreement documents the expectations and conditions that apply when a production is approved to work with a minor. It establishes the responsibilities of the production, the student filmmakers, and the parent or guardian in relation to the minor’s participation.

    This agreement is important because minors require additional safeguards around working hours, supervision, safety, transportation, and overall welfare. The form helps ensure that everyone involved understands the conditions of the minor’s participation before production begins.

    Instructions

    The Minor Labor policy is intended to safeguard children from being employed under conditions that are injurious or detrimental to their health, safety or education. This paperwork serves to ensure that parents (or legal guardians) are informed about the conditions of employment.

    The Producer of a show that involves minor labor should complete both pages of this document with the parent or legal guardian. The first page outlines the terms of the labor agreement. The second page documents any medical conditions or dietary needs, and provides authorization for the school to seek medical treatment for the minor in cases of emergency.

    Should any exemptions or modifications to this policy be needed, the Producer should complete a Minor Labor Policy Exemption Request with the parent or legal guardian.

  • Master Use License Request

    Master Use License Request

    Overview

    A Master Use License Request is used when a production wants permission to use a specific existing sound recording in a film. This permission is cleared with the record label or other owner of the recording, and is separate from the synchronization license needed for the underlying musical composition.

    This process is important because a recorded song usually involves multiple rights. Even if a production has permission to use the composition, it still needs permission to use a particular recording of that composition. Proper clearance helps ensure that the film can be exhibited and distributed without unresolved music rights issues.

    INSTRUCTIONS

    A master use license is the right to synchronize a sound recording with your visual image. You clear this right with the record label who owns the sound recording you would like to use.

    Check the liner notes of the recording to find out which company this is. Alternatively, you can get contact information for record labels by contacting either ASCAP or BMI. You will be provided with a contact at the record label’s Business Affairs Department.

    Getting the rights could be as simple as sending letters to the publisher and record label, having them sign and return them. However, you may be required to complete their licensing agreements instead. If this is the case, make sure you have the Head of Production review the agreement before you sign it, to ensure we have the proper releases.

    You must get each license for at least:

    • Two-years
    • Film festival
    • Non-commercial
    • World rights

    Note that if you do not plan to use the original sound recording, but rather plan to reproduce a specific musical composition in your film, you need to acquire a Synchronization License instead.

    SAMPLE LETTER

    Here’s a sample of what the letter should look like:

    Sample letter
  • Location Shooting Plan Agreement

    Location Shooting Plan Agreement

    Overview

    The Location Shooting Plan Agreement documents the specific guidelines, restrictions, and conditions governing how a production may use an approved location. It’s completed with input from the location owner and addresses the finer details of the shoot, including what activities may take place and what limitations the production must follow while on site.

    This agreement helps protect the location owner, the production, and the school by making expectations clear before filming begins. Clear location rules reduce misunderstandings, support safer production planning, and help maintain positive relationships with property owners and community partners.

    Instructions

    In addition to completing a Location Agreement with the Location Owner (or authorized agent), the Producer must also complete a Location Shooting Plan Agreement. This agreement gets into the finer details of how the location may be used and all guidelines and restrictions related to the use of the location.

    This includes information about: the quantity of crew members; arrival and departure times; parking; craft service; trash; which rooms can be used or not-used; which items can be moved or not-moved; any safety protocols the location may require; and the names/info of the students that location owners should contact during the shooting day.

    Sample

    Here’s a sample of what the completed form should look like: